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	<description>Vern Harris, Sign Expert  in Denver</description>
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		<title>Safely Viewing The Solar Eclipse</title>
		<link>http://vernharris.com/safely-viewing-the-solar-eclipse/</link>
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		<pubDate>Sat, 19 May 2012 00:59:00 +0000</pubDate>
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				<category><![CDATA[In The News]]></category>
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		<description><![CDATA[So, I&#8217;ve searched the internet, and I can&#8217;t believe that I can&#8217;t find anything on this technique. You are not supposed to look at a solar eclipse with your eyes, or any optical device. Why? As a kid, did you ever take a magnifying glass out into the sun and burn leaves? If so, you...</p><p><strong><a class="more-link" href="http://vernharris.com/safely-viewing-the-solar-eclipse/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p><strong>So, I&#8217;ve searched the internet, and I can&#8217;t believe that I can&#8217;t find anything on this technique.</strong></p>
<p><strong>You are not supposed to look at a solar eclipse with your eyes</strong>, or any optical device. <span style="font-family: Arial,Helvetica,sans-serif;">Why? As a kid, did you ever take a magnifying glass out into the sun and burn leaves? If so, you probably remember that when the focused sunlight coming through the lens was refracted and concentrated to a small spot, the energy available there was truly remarkable. Guess what? You have a lens just like that in your eye. If you look at the sun, your eye-lens will concentrate the sun&#8217;s light and focus it to a very small spot on the back of your retina. This can cause permanent eye damage or blindness. Additionally, there are no pain sensors back there so you won&#8217;t even know it&#8217;s happening!</span></p>
<p><strong>But&#8230;. why not a digital device?</strong> By looking at the digital screen, you are not subjecting your retinas to the harmful light. You are just looking at an image of the sun. So, a digital phone or camera or any digital photo device should be safe enough to see an eclipse with. This has to be better than a pinhole shadow in a box.</p>
<p>Just to be safe, I&#8217;m taking my Iphone4 and setting it to photo myself. Then, with my back to the sun, I will direct the camera over my shoulder and watch the eclipse live, and safely.</p>
<p><strong>Please feel free to comment below on this</strong>, and if anyone has reason to suggest this is a bad idea, please speak up!</p>
<p>&nbsp;</p>
<p>Cheers!</p>
<p>Vern</p>
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		<title>Research Indicates Digital Signage Is On The Right Track</title>
		<link>http://vernharris.com/research-indicates-digital-signage-is-on-the-right-track/</link>
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		<pubDate>Tue, 15 May 2012 16:40:55 +0000</pubDate>
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		<description><![CDATA[Article posted on May 11, 2012 New research from IHS iSuppli indicates growing adoption of digital signage around the world as professionals in the retail, hospitality, healthcare, corporate and government sectors look to the medium to communicate to audiences on the go. Political watchers probably are familiar with that often-asked question -and even more often...</p><p><strong><a class="more-link" href="http://vernharris.com/research-indicates-digital-signage-is-on-the-right-track/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p id="iqNewsPostDate">Article posted on May 11, 2012</p>
<p>New research from IHS iSuppli indicates growing adoption of digital signage around the world as professionals in the retail, hospitality, healthcare, corporate and government sectors look to the medium to communicate to audiences on the go.</p>
<p>Political watchers probably are familiar with that often-asked question -and even more often asked in an election year: Is the country on the right track or the wrong track?</p>
<p>I would propose that those who make their living communicating marketing messages, ads, information and even entertainment on digital signs should frequently ask themselves a similar question. Is digital signage on the right track or wrong track? In other words, is digital signage a growing, vibrant communications medium that is headed in the right direction as a viable communications choice? Or, is it losing favor?</p>
<p>A new forecast from display market research specialists IHS iSuppli suggests that, indeed, digital signage is on the right track, at least if its adoption is any indication. According to the forecast, digital signage will see impressive growth. Worldwide shipments of signage and professional displays this year will reach 17.2 million units, up from 15.4 million in 2011 and 13.5 million in 2010. For the year, the unit shipments will reach 12.6 percent, and by 2016 they are expected to reach nearly 26 million units, IHS iSuppli forecasts.</p>
<p>The research firm attributes the healthy growth to a few factors, including a greater need for digital signage in public spaces and the rapidly declining price of LCD panels.</p>
<p>The IHS iSuppli forecast also identifies the largest digital signage markets for 2011. They include retail, hospitality/healthcare and government/corporate. The forecast also finds the education, outdoor and control room/simulation markets to be important.</p>
<p>So why are those with a message to communicate increasingly adopting digital signage? A few reasons are clear. First, digital signage has the unique ability to reach the public with clear, impactful communications when they are on the go.</p>
<p>Second, because it&#8217;s a place-based medium, digital signage communicators can identify areas to locate signs that likely will be frequented by their target audience. For example, a restaurateur has a pretty good idea that the people entering the restaurant have eating on their minds, and the registrar of a college knows students entering the administration building at the beginning of the semester are likely interested in class registration information.</p>
<p>Third, digital signage offers communicators the chance to change messaging frequently -at little to no expense- which makes the medium responsive to rapidly changing requirements.</p>
<p>For all of these reasons and several others that have been well discussed in this space in the past, digital signage increasingly is being selected as an important part of an overall communications strategy.</p>
<p>As this nation enters the political season, journalists surely will report on the public&#8217;s response to the right-track-wrong-track question. I&#8217;m sure each time I hear one of those stories, I am will be reminded of this column and the clear evidence from IHS iSuppli that digital signage is indeed on the right track as a communications medium.</p>
<p>While prognosticating about the results of any of this political season&#8217;s races is a craps shoot, one thing is predictable. Digital signage as a communications medium will remain on the right track as long as professional communicators need to reach people on the go with their important messages.</p>
<p>Keywest Technology is a longtime member of Infocomm International with over 12 years of experience helping professionals use technology to effectively communicate. For further <a href="http://www.keywesttechnology.com/"> digital signage </a> insight from Keywest Technology, visit our website for many helpful tips and examples. For more in-depth research from Keywest Technology, download our free <a href="http://www.keywesttechnology.com/"> digital signage </a> white papers and case studies.</p>
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		<title>Appraising the Value of Signage</title>
		<link>http://vernharris.com/appraising-the-value-of-signage/</link>
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		<pubDate>Sun, 13 May 2012 22:02:08 +0000</pubDate>
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		<description><![CDATA[America is a speech-driven society. This includes commercial speech. In many cases, commercial speech takes the form of on-premise business signage. The need for on-premise signage is derived from the demand of consumers for information about activities placed according to land use decisions that have been made by local, regional, and state governmental agencies. If...</p><p><strong><a class="more-link" href="http://vernharris.com/appraising-the-value-of-signage/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">America is a speech-driven society. This includes commercial<br />
speech. In many cases, commercial speech takes<br />
the form of on-premise business signage.<br />
The need for on-premise signage is derived from the<br />
demand of consumers for information about activities<br />
placed according to land use decisions that have been<br />
made by local, regional, and state governmental agencies.<br />
If an on-premise sign is not visible enough to provide<br />
the necessary communication, a business site simply<br />
cannot function as zoned.<br />
As Berman and Evans1 and Lusch, Dunne and Gebhardt2<br />
note, high visibility is essential in communicating that<br />
the store exists at a given location, and the hours during<br />
which it is open for business. The identification function<br />
of on-premise signage, therefore, is fundamental to the<br />
success of most retailers.<br />
It is for this reason that retail sites with greater visibility<br />
command higher lease rates per square foot than otherwise<br />
equivalent sites located within the same market<br />
but suffering from poor visibility. Business sites with<br />
greater visibility attract more customers. More customers<br />
translate into more profit. People are willing to<br />
pay more for a site if it will be more profitable.<br />
Contrary to common perceptions at the state and local<br />
government level, the value of on-premise signage to a<br />
business is much more than the value of its physical<br />
structure. The message on the sign, its visibility, and its<br />
branding are the primary factors of a sign that attract<br />
customers to a business and increase its sales; thus, they<br />
are the aspects that truly determine its value. The taking<br />
of an on-premise sign through eminent domain can easily<br />
result in lost memory of the business, lost impulse<br />
sales, and lost branding.3<br />
For a glimpse into the federal governments perspective<br />
on this, one need only consider the Lanham Trademark<br />
Act (15 U.S.C., § 1051, et seq.), which protects federally<br />
registered names, marks, emblems, slogans,<br />
and colors, if included in the registration.<br />
The Act contains severe penalty provisions<br />
for interference with or disruption of<br />
the use of this property right. Trademarks<br />
have commercial value, are considered business<br />
assets and can be bought and sold in the<br />
marketplace. Clearly, their owners ought to<br />
be compensated when those assets are taken.<br />
In some cases, the property value is permanently<br />
diminished and irreparable harm<br />
occurs as a result of the taking – thus all<br />
three of the U.S. Claims Court’s standards<br />
for trespass are met by the taking. One<br />
example of this is the Beaver Dam Raceway<br />
in Beaver Dam, Wisconsin.4 In this case, a<br />
raceway owner agreed to temporarily<br />
remove his raceway’s high-rise on-premise<br />
sign, visible from the main freeway, to make<br />
way for a public improvement. Although<br />
the sign was nonconforming at the time the<br />
City induced takedown, it was protected<br />
under a nonconforming use state statute.<br />
During the period of takedown, the raceway<br />
was sold; the municipality then refused to<br />
grant the new owner a permit to reconstruct<br />
the sign. Because the property could no<br />
longer function commercially without the<br />
sign to attract customers, the Court ordered<br />
the municipality to pay the new owner the<br />
difference between the property’s value as a<br />
residential property and its greater commer-<br />
This is the second in a two-part<br />
Signline addressing the issue of<br />
eminent domain takings of signage<br />
and determining the fair market value<br />
of the taken signage for purposes of<br />
paying just compensation.<br />
2<br />
cial value as a business site with effective exposure to<br />
the street. The amount awarded in 1981 dollars was<br />
$169,965.26 for the loss of sign, business and property<br />
value.<br />
Loss of business income and property value is just one<br />
of a number of methods that can be used to determine<br />
the value of a sign. As with any appraisal, the approach<br />
often varies depending on the specific circumstances of<br />
the appraisal assignment.<br />
The Signage Appraisal Process5<br />
When a municipality zones land for commercial use,<br />
and especially for retail use, people have a right to participate<br />
in the business for which the site is zoned.6 This<br />
right is a key factor in determining just compensation.<br />
The right to signage is one of a bundle of rights involved<br />
in most commercial property appraisals, and its value is<br />
why the first step in any appraisal is to identify the various<br />
“sticks” in a particular property’s bundle of rights.<br />
These “sticks” might include the right to occupy the<br />
property, the right to use it, the right to lease it, and the<br />
right to sell it, for example. Each of these rights has<br />
value that can be measured.<br />
The sign valuation process itself can include evaluating<br />
the sign as personal property, which may be a civil right<br />
and as a business right where trademarks are involved.<br />
Numerous additional considerations may also be<br />
involved in signage appraisal, including the disruption<br />
of business and associated relocation or removal costs,<br />
among other items. For the sake of brevity, however, we<br />
will confine ourselves to discussing the relatively<br />
straight-forward task of appraising an on-premise freestanding<br />
or building-mounted sign.<br />
In the absence of unusual or mitigating circumstances,<br />
an appraisal requires using three different approaches to<br />
arrive at a realistic value determination: (1) market<br />
comparison (comparable closed sales or executed leases),<br />
(2) anticipated income, and (3) cost of replacement<br />
– and many times, substitution. Signage appraisal follows<br />
these same three approaches.<br />
Market Comparison<br />
The market comparison approach to appraisal refers to<br />
the highest price at which a property could be sold given<br />
a reasonable exposure period in the market. The final<br />
determination of value assumes that amount to which a<br />
willing seller and a willing buyer of equal knowledge<br />
would agree, neither being nor acting under duress.<br />
In the case of on-premise signage, obviously little or no<br />
market exists for a “used” business sign. But that does<br />
not make the market approach useless in evaluating onpremise<br />
signage. The value of on-premise signage is<br />
that it makes the business visible to the street; therefore,<br />
it is the value of the visibility component of a business.</p>
<p style="text-align: left;"><a href="http://vernharris.com/wp-content/uploads/2012/04/161.bmp"><img class="wp-image-1158" title="16" src="http://vernharris.com/wp-content/uploads/2012/04/161.bmp" alt="" width="227" height="144" /></a></p>
<p>Business storefronts (trademarked colors, logos, signage, and even standardized buildings) are themselves routinely sold in the marketplace.<br />
The business format franchise is an excellent example of this phenomenon.<br />
Midas Muffler is an example of this approach. While the business inside remains the same, merely adding a widely recognized storefront can increase business volume 15% to 40% – far more than the cost of the rights to use the storefront.<br />
3<br />
site in the marketplace – the price that a buyer is willing<br />
to pay for exposure to potential customers – that must be<br />
measured.<br />
It is worth noting that business storefronts (trademarked<br />
colors, logos, signage, and even standardized buildings)<br />
are themselves routinely sold in the marketplace. The<br />
business format franchise is an excellent example of this<br />
phenomenon. Unlike many franchises, such as<br />
McDonald’s, in which the head corporation owns the<br />
majority of the property and leases the operation to a<br />
franchisee, the business format franchise business and<br />
property are independently owned and operated. The<br />
business owner, in an effort to take advantage of branding<br />
and national advertising, purchases the rights to utilize<br />
a standardized storefront – in effect, purchasing<br />
more effective exposure to potential customers. Midas<br />
Muffler and Century 21 Real Estate are examples of this<br />
approach. While the business inside remains the same,<br />
merely adding a widely recognized storefront can<br />
increase business volume 15% to 40% – far more than<br />
the cost of the rights to use the storefront. The business<br />
format franchise industry is possibly the most traceable<br />
market for the buying and selling of storefronts.<br />
The value of the visibility component of a retail site can<br />
be determined by conducting a survey of rental or lease<br />
figures per square foot for a<br />
number of commercial sites,<br />
including high-exposure, lowexposure,<br />
and no-exposure commercial<br />
property in the same<br />
town as the subject sign and then<br />
determining the square foot<br />
rental differences between the<br />
sites based on their visibility. It<br />
is not unusual for a highly visible<br />
commercial site to lease for 20 to<br />
40% more per square foot than a<br />
site with low or no visibility in<br />
the same complex.<br />
A matched pair analysis7 can be<br />
used to produce the most basic<br />
element needed to estimate the<br />
contributory value of the visibility<br />
component of a commercial<br />
site. But great care must be taken<br />
to assure that the comparable<br />
sites are indeed closely similar.<br />
The trick is isolating the variables<br />
in a matched pair analysis<br />
(including traffic flow, driver<br />
profiles, building condition,<br />
demographics, employment<br />
rates, sign regulations, etc.) so that the visibility component<br />
may itself be measured with confidence.<br />
Anticipated Income<br />
An investor typically purchases a business in anticipation<br />
that the business will produce income. It is not so<br />
much the business itself that is being purchased, but<br />
rather its revenue stream. This is a far different<br />
approach to a real estate investment than the approach<br />
taken by people investing in residential real estate<br />
(housing), where the focus is more likely to be on the<br />
property’s substitution value (the cost of purchasing a<br />
substitute property that is equally desirable and has fairly<br />
equal features) and its yield (the total cashflow on the<br />
property plus its increase in value).<br />
One major, multipart study, &#8220;Research on Signage<br />
Performance,&#8221; conducted between 1995 and 1997 by the<br />
University of San Diego looked at the effects of onpremise<br />
signage on the financial performance of retail<br />
sites.8 The conclusion of the study was that &#8220;on-premise<br />
signage has a statistically significant and financially<br />
substantive impact on the revenues of a site.&#8221;<br />
The income approach to appraisal in general is a valuation<br />
approach based on analyzing the amount of rev-<br />
Business sites with greater visibility attract more customers. More customers<br />
translate into more profit.<br />
4<br />
enue, or net income, a property will produce over its<br />
remaining economic life. This method of determining<br />
the value as applied to on-premise signage valuation<br />
involves establishing the percentage of business revenues<br />
traceable to customers or clients who entered the<br />
business solely because they saw the sign.<br />
Gathering the information necessary to the income<br />
analysis is intensive work because it is dependent in part<br />
upon consumer research. One research tool is the pointsource<br />
survey designed to determine what prompted the<br />
stop of a first-time customer or client. While most nonchain<br />
or nonfranchised businesses have some verifiable<br />
knowledge of the sign’s impact on business revenues,<br />
when working with a true mom-and-pop<br />
business, the appraiser may need to commission<br />
a separate market survey to<br />
obtain necessary data. In the latter<br />
instance, trade associations for such<br />
independent, small-business enterprises<br />
may be able to provide or verify information.<br />
Retail sites with better visibility and<br />
exposure to passing motorists almost<br />
always rent for 25% to 50% more than<br />
comparable sites in the same market with<br />
poor visibility. This is true whether the<br />
community is typical urban America or<br />
exclusive enclaves, such as Carmel,<br />
California. The ability of a retail store to<br />
attract the attention of the passing<br />
motorist via its sign and communicate effectively what<br />
the store offers is a major factor in the overall level of<br />
sales that store will achieve.<br />
Even for large well-known chains, the visibility generated<br />
by the on-premise sign can greatly affect profitability.<br />
The San Antonio, Texas Best Buy store offers a pertinent<br />
example. The store’s grand opening was held on<br />
August 18, 1995. It was to have two double-faced pylon<br />
signs visible to an interstate highway, and the signs<br />
were, by contract, to have been installed by June 1,<br />
1995. But the two signs were not erected per the contract;<br />
one became fully operational the day before the<br />
grand opening, and the other September 4, 1995.<br />
An appraiser was hired to determine the compensation<br />
owed to Best Buy for the lost exposures due to the delay<br />
in completing the contracted work. The appraiser determined<br />
that the delay cost Best Buy 34.4 million exposures<br />
over the three month period. Replacement of those<br />
exposures via newspaper would have cost $424,767.<br />
The appraiser determined that a mix of alternative<br />
media could have helped to recapture some of those lost<br />
exposures for a more cost-effective $213,000.<br />
Next, a survey of Best Buy customers was conducted,<br />
which found that 25% said they first became aware of<br />
the store because of the signs. An additional 32% said<br />
the signs were “useful in locating the store.” The store<br />
averaged $308,687 per month in sales its first year,<br />
meaning that $77,172 a month (25%), or $224,000 in<br />
sales, was directly attributable to the signs based on the<br />
78-and 96-day periods under study.<br />
Finally, the appraiser looked for comparable real estate<br />
to help determine the value of the visibility component<br />
of the Best Buy site. The store paid monthly rent of<br />
$34,626, or $1,154.20 per day (approximately 75 cents<br />
per square foot, or $2.46 per square meter). Comparable<br />
buildings that did not require retail signage in the area<br />
rented for 40 cents per square foot (or $131 per square<br />
meter), for a daily rent of $620.27. This meant that the<br />
value of the signage was an extra $533.94 per day, and<br />
the rent directly attributable to the signs (25%) would be<br />
$133.49 per day. In the final analysis, total damages<br />
from the lost exposures were calculated at $227,536 .<br />
The cost in lost exposure was greater than Best Buy’s<br />
total rent for the same period.9<br />
Cost of Replacement<br />
This approach estimates the cost of replacing or substituting<br />
an existing property interest with another of equal<br />
value. In signage appraisal, the appraiser is not considering<br />
the cost to replace the sign itself with another sign,<br />
but rather the cost to replace the sign’s communication<br />
abilities by other media. In signage appraisals, the cost<br />
of alternate media is what appraisers would consider the<br />
most significant part of the sign owner’s grievance.<br />
Thus, we will focus most of our attention on this<br />
“The exposures generated by the on-premise<br />
sign not only cost far less than other<br />
media exposures, they are also far more<br />
effective. At least 98% of all retail sales are<br />
place-based13 – and the on-premise sign is<br />
right there on-site, marking the very location<br />
at which the purchase could occur, and<br />
only advertising to those who actually move<br />
through the trade area.”<br />
5<br />
approach.<br />
The cost of “exposures” is the one common denominator<br />
among all commercial communication media,<br />
whether radio, television, print, direct mail, outdoor<br />
advertising, or on-premise signage. In advertising<br />
terms, each person who sees a sign (or other advertisement,<br />
for that matter) constitutes one “exposure” to the<br />
sign (or advertisement). All markets measure their<br />
goods using a common currency, or denominator. For<br />
wheat, that denominator is the bushel. In land valuation,<br />
it is the acre and in buildings, it is the square foot. In<br />
advertising, it is exposures measured in increments of<br />
1000, and is reported as the “cost per thousand exposures.”<br />
Comparisons of costs-per-thousand exposures for various<br />
advertising media also rely on frequency10 measures.<br />
Frequency is important because without periodic reinforcement<br />
of a message, it is eventually forgotten. Once<br />
frequency data is assembled, the total out-of-pocket cost<br />
for the subject medium is divided by the number of<br />
exposures, or “reads” (per thousand) occurring during a<br />
defined time period.<br />
Costs-per-thousand exposures vary significantly among<br />
media. The advertiser must determine if the cost of the<br />
selected medium or media mix is generating desirable<br />
returns, both in terms of retaining past customers and<br />
obtaining new ones. Some forms of advertising will be<br />
more effective or efficient for reaching the desired customer<br />
base than others. For example, a local dog<br />
grooming business would not necessarily advertise in<br />
the national Cat Fancy magazine, no matter how inexpensive<br />
the advertisement might be.<br />
The fact is that no other form of advertising comes close<br />
to matching the efficiency and cost-effectiveness, dollar<br />
for dollar, of the on-premise sign. It is both the most<br />
effective and least expensive form of communication<br />
available to these businesses. The figures below represent<br />
a typical cost comparison for a small business (rates<br />
were gathered from Portland, Oregon area media<br />
sources):<br />
 Newspaper advertising &#8211; the cost on average is about<br />
$7.39 for 1000 exposures within a 10-mile radius of<br />
the business location.<br />
 Television advertising &#8211; The cost on average is<br />
approximately $6.26 per 1000 exposures.<br />
 Radio advertising &#8211; The cost is about $5.47 per 1000<br />
exposures.<br />
 On-premise sign &#8211; The cost is less than $0.43 per<br />
1000 exposures.11<br />
Commercial and industrial interests currently spend<br />
$600 billion a year on media advertising. To help put<br />
the problem into perspective, consider that if all businesses<br />
in the U.S. were, because of sign restrictions,<br />
required to increase their expenditures on media advertising<br />
by a mere 10% in order to avoid loss of customers,<br />
the overall cost to the economy would amount<br />
Even a supposedly destination-oriented business like Best Buy can attribute a large percentage of its business to its<br />
sign. In Best Buy’s case, it was determined that 25% of its customers first became aware of the store when they saw<br />
its on-premise sign. The San Antonio Best Buy found that $77,172 in sales per month were the direct result of its<br />
on-premise sign.<br />
6<br />
to $50 billion a year. Of course, that 10% is going to<br />
vary for each business. Some need more exposure to the<br />
public, and others need less.<br />
The number of exposures generated by a sign is calculated<br />
using a careful and systematic process. First, an<br />
average 24-hour (daily) traffic count must be determined.<br />
This is then multiplied by 30 to establish a<br />
monthly count. This is the number of cars that drive<br />
past the business during the typical standard advertising<br />
month. But not every car will have just one person riding<br />
in it, so the calculation must be adjusted for “load<br />
factors” that include whether the area is rural, incorporated,<br />
or unincorporated, for example.<br />
Typical numbers of viewers per vehicle are as follows:<br />
Incorporated areas 1.38 – 1.6 persons<br />
Unincorporated areas 1.7 – 2.9 persons<br />
Vacation travel 3.0 – 3.5 persons<br />
Traffic-flow maps for interstate and primary highways<br />
can be obtained from most state departments of transportation.<br />
In addition, cities and counties often publish<br />
street-system traffic counts. And most municipal transportation<br />
engineers can provide not only last-published<br />
traffic counts, but also updates, which may disclose an<br />
increase or decrease in traffic flow. (Other information<br />
sources are the Traffic Audit Bureau (TAB) and the<br />
Outdoor Advertising Association of America<br />
(OAAA)12).<br />
A certain percentage, but probably not all, of the people<br />
passing a business site can be expected to be potential<br />
customers. If the business is a veterinary clinic, for<br />
example, the calculation should be adjusted by the percentage<br />
of people passing who own one or more pets –<br />
a figure generally available from the industry itself.<br />
Similarly, large trailer trucks are unlikely to stop a fast<br />
food restaurants. Other factors that may require adjustment<br />
of the figure include hours of business operation<br />
and seasonal traffic variations. Before calculating a<br />
sign’s cost-per-thousand exposures, the appraiser must<br />
obtain reliable information on driver profiles in addition<br />
to traffic volume. Origin/destination studies offer reliable<br />
data in these circumstances.<br />
The exposures generated by the on-premise sign not<br />
only cost far less than other media exposures, they are<br />
also far more effective. At least 98% of all retail sales<br />
are place-based13 – and the on-premise sign is right there<br />
on-site, marking the very location at which the purchase<br />
could occur, and only advertising to those who actually<br />
move through the trade area. Other forms of media have<br />
a high waste factor, advertising to people who are far<br />
outside a business’s trade area.<br />
Sign Valuation Case Studies<br />
Agoura Hills<br />
Just compensation for the taking of on-premise signage<br />
was the subject of Denny’s Inc., et al v. City of Agoura<br />
For a local business situated in<br />
Portland, Oregon the sign would reach<br />
most people within the trade area. The<br />
local Yellow Pages would reach the<br />
entire metropolitan area, radio ads<br />
would extend as far as the local<br />
station’s signal could reach, television<br />
would likely reach major population<br />
bases in the state, and the newspaper<br />
would reach the entire state.<br />
Thus, the exposure to consumers as a<br />
result of the on-premise sign costs a<br />
business far less per exposure than<br />
other media types such as newspapers,<br />
radio and television, and the expense<br />
of the sign is more efficient. The sign<br />
not only points out the precise location<br />
of the business, it also advertises to<br />
those who are moving through the<br />
trade area and who are most likely to<br />
stop at the business. Other forms of<br />
media have a high waste factor,<br />
advertising to people who are far<br />
outside the trade area and who would<br />
never frequent the business.<br />
7<br />
Hills.14 A portion of the city of Agoura Hills is bisected<br />
by U.S. Highway 101, locally referred to as the Ventura<br />
Freeway. The City wanted to enhance its visual aesthetics,<br />
and it enacted a sign ordinance which, among other<br />
things, prohibited all pole signs, with the exception of a<br />
few signs less than six feet in height. Certain business<br />
proprietors were identified by the city as being in violation<br />
of the ordinance, and their traditional pole signs<br />
exceeded the new height limit considerably. Under the<br />
new code, the pole signs became non-conforming on<br />
March 20, 1985, and following an amortization period<br />
of eight years, were subject to removal on March 20,<br />
1992. Eventually litigation ensued.<br />
The businesses alleged that the city’s sign ordinance<br />
violated Section 5499 of the California Business and<br />
Professional Code. This provision essentially prohibited<br />
the removal of any on-premise sign on the basis of<br />
height or size if topographical circumstances would<br />
materially impair the visibility of a conforming sign, or<br />
impair the sign user’s ability to adequately and effectively<br />
continue to communicate with the public through<br />
use of a sign conforming to the new code. If impairment<br />
of visibility or communication would result as a consequence<br />
of enforcing the ordinance, the original sign<br />
could remain and would be deemed conforming, as a<br />
matter of law.<br />
Based on Section 5499 and its preemption of local law,<br />
the businesses requested an injunction against city<br />
enforcement of the ordinance against them. The city<br />
concurred that the state code applied to its ordinance,<br />
but countered, as a defense, that other merchants in the<br />
area with conforming signs were enjoying vigorous<br />
business and healthy sales. The trial court rejected this<br />
argument.15<br />
One of the businesses affected by the city’s ordinance<br />
was a Burger King franchise located adjacent to the<br />
Ventura Freeway. The subject’s pole sign was highly<br />
visible to potential customers traveling north or south on<br />
the freeway. Traffic counts showed that 88% of those<br />
vehicles passing the restaurant did so via the freeway;<br />
the other 12% passed by on local frontage roads.<br />
Due to surrounding topographical circumstances (the<br />
business site was lower than the freeway), a sign of the<br />
type and height required by the ordinance would not be<br />
capable of being seen by motorists traveling in either<br />
direction on the freeway. Neither could the business<br />
premises be seen until it was too late to safely exit the<br />
freeway. Thus, forced removal of the pole sign would<br />
render the site essentially invisible and incapable of<br />
attracting the freeway motorist impulse buyer.<br />
The Agoura Hills Burger King and its sign were specifically<br />
built to service Ventura Freeway motorists, and its<br />
profit structure was designed with that in mind.<br />
Corporate field studies found that nearly 60% of the<br />
store’s business was attributable to its on-premise sign.<br />
Even after factoring down the potential loss in business<br />
attributable to loss of the sign from 60% to 37.5% (a<br />
compromise “averaging” of Burger King’s data and that<br />
of the city’s expert), corporate accountants found that<br />
The signs of Agoura<br />
Hills litigants provided<br />
important information<br />
to drivers who, for<br />
example, might be<br />
running low on gas,<br />
experiencing engine<br />
trouble, or wishing to<br />
eat before continuing<br />
their journey. In<br />
response to questionnaires<br />
concerning how<br />
they first became<br />
aware of a business,<br />
and why they<br />
stopped, many customers<br />
noted their<br />
appreciation for the<br />
sign as a “beacon” -<br />
signaling the presence<br />
of a place nearby to<br />
obtain products of<br />
services to satisfy an<br />
immediate requirement.<br />
8<br />
the franchisee would lose a profit of $2 million over a<br />
15-year period, the term left on the lease at the time of<br />
controversy. Using the higher 60% business loss calculation<br />
– a calculation the corporation believed more<br />
accurate – the lost profit would equal $3.2 million. Due<br />
to the reasonably foreseeable near-immediate downturn<br />
in impulse trade upon removal of the sign, most of the<br />
revenue loss would occur in the first one to two years,<br />
almost certainly driving the franchisee out of business<br />
long before the lease expired.<br />
A comparison was also made between the Agoura Hills<br />
Burger King and another Burger King in Camarillo, a<br />
few miles farther down the freeway. As with the Agoura<br />
Hills site, the Camarillo premises were not visible from<br />
the freeway, and although the store had a pole sign, the<br />
sign was visible only to southbound traffic and could not<br />
be seen until the motorist had passed the appropriate<br />
exit.<br />
Because of both lack of visibility and ready access from<br />
the freeway, the Camarillo Burger King relied much<br />
more on the local population and local frontage road<br />
traffic than the Agoura Hills store, and not surprisingly,<br />
its sales were only 48% of the sales achieved by the<br />
Agoura Hills site. The difference in volume tended to<br />
support a finding that up to 60% of the sales of the<br />
Agoura Hills Burger King flowed from its visibility to<br />
traffic in both directions for distances great enough to<br />
provide ample time for the unfamiliar driver or impulse<br />
purchaser to exit safely. Additionally, the Camarillo<br />
location was considered trade-area oriented, while the<br />
Agoura Hills franchise was strictly “point of distribution”<br />
or freeway oriented, and thus expected to draw<br />
only a small percentage of the local consumer pool.<br />
The studies and surveys provided by all other litigants<br />
similarly found that extensive adverse impact to business<br />
revenues and profits would result if their pole<br />
signs, visible to the freeway, were removed. Among<br />
these were McDonald’s and Texaco.<br />
Plaintiff Agoura Restaurants, Inc., dba16 McDonald’s, is<br />
located adjacent to a freeway off-ramp and uses a 75-<br />
foot pole sign displaying its name and logo to signal<br />
potential customers. The trial court found that the<br />
restaurant is heavily dependent on freeway traffic for its<br />
customer base, and that no sign or display conforming to<br />
the city’s ordinance would be visible to freeway<br />
motorists “at a safe and reasonable decision point for the<br />
off-ramp.” Further, the trial court found that removal of<br />
the pole sign would result in an immediate gross revenue<br />
loss to the restaurant of 35%; a similar loss was<br />
found likely for the Texaco station upon removal of its<br />
sign. In Texaco’s case, the predicted loss in gross sales<br />
amounted to $336,000 the first year of sign takedown.<br />
For the McDonald’s restaurant, the first-year predicted<br />
loss in gross sales averaged $1.1 million, based on a<br />
35% reduction of pre-litigation gross revenues of $2.7<br />
million a year. Corporate researchers calculated that the<br />
first-year loss in gross sales would rise to $2.3 million<br />
(or 85%) within five years as non-local motorist recall<br />
of the site diminished. Such losses would force the<br />
restaurant to close.<br />
The trial court concluded that enforcement of the ordinance<br />
would result in a material impairment of all plaintiffs’<br />
ability to communicate adequately and effectively<br />
While large national<br />
corporations understand<br />
the value of<br />
on-premise<br />
signage, many small<br />
business merchants<br />
and proprietors,<br />
unfortunately, do<br />
not. Every site<br />
development<br />
strategy will benefit if<br />
the on-premise sign<br />
is made the focal<br />
point of the site. In<br />
other words, if site<br />
development or<br />
renovation is sign<br />
centric, the positive<br />
effect on gross<br />
revenues should be<br />
immediately<br />
recognizable.<br />
9<br />
with the public due to topographical conditions. These<br />
conditions included trees, hills, concrete highway structures,<br />
other buildings, utility poles and wires, vehicles<br />
traveling the freeway, and any other visual impediment<br />
other than the natural limits of human eyesight.17<br />
The court then ruled that the attempted enforcement of<br />
the city’s ordinance violated the Business and<br />
Professions Code. It ruled that plaintiffs could keep,<br />
maintain, and exhibit the disputed signs at their respective<br />
business premises; that such signs would be deemed<br />
in conformance; and that the city, because of its “wrongful<br />
and on-going conduct,” was permanently enjoined<br />
from enforcing the ordinance against the plaintiffs.<br />
On appeal by the city, the appellate court affirmed the<br />
trial court’s decision, deciding the case on<br />
the narrow question of “material impairment<br />
of visibility,” without reaching the<br />
issue of commercial impact by the city’s<br />
ordinance. However, the trial court clearly<br />
paid attention to the economic research and<br />
data submitted not only by the affected<br />
businesses, but also by the city’s own<br />
expert, who agreed that significant losses in<br />
customer base and business revenues would<br />
result from the loss of signage.18<br />
In the Agoura Hills Burger King case, lack<br />
of freeway visibility of the premises itself<br />
precluded the business from overcoming the<br />
sign height restriction by alternate forms of<br />
signage. Had a signature building, for<br />
example, been a viable alternative (if the<br />
site itself were effectively visible to the<br />
freeway, it may have been), the Agoura<br />
Hills Burger King and other freeway merchants<br />
similarly situated and adversely<br />
impacted by the city’s height restrictions<br />
may not have litigated for ten years – years<br />
that were costly to both the businesses and<br />
the city.<br />
Do-It Centers<br />
Matched pair analysis can effectively identify<br />
the differences in value of comparable<br />
commercial locations that are traceable to<br />
the visibility component. An excellent<br />
example of such analysis is provided by the<br />
experience of a small, four-store independent<br />
chain of home-improvement centers,<br />
known as the “Do-It Centers” and located in<br />
southern California.<br />
The chain found itself faced with new competition from<br />
the incoming Home Depot, which had moved into the<br />
chain’s trade areas. The small chain owner decided to<br />
go head to head with Home Depot, and initiated a total<br />
remodel of his old stores to update their on-site marketing<br />
techniques and present a modern storefront. The<br />
chain’s stores were located in Cresenta Valley, Valencia,<br />
Simi Valley and Thousand Oaks. All of the stores,<br />
before and after remodel, were approximately 44,000<br />
square feet in size. Prior to remodel, signage for all four<br />
stores was similar and gross sales were within 15% of<br />
one another.<br />
Because the stores were located in different trade areas,<br />
with different municipal sign codes, the owner had to<br />
tailor each store to fit the relevant code. Storefronts<br />
Matched pair analysis is an effective tool in identifying the precise<br />
features of a property that affect value. These four “Do-It Centers,” all<br />
located in southern California, carried the same products. The<br />
differences were pared down until a measurement of the financial impact<br />
of the local sign code could be made. The findings showed that effect<br />
was significant.<br />
Cresenta Valley<br />
Valencia<br />
Simi Valley<br />
Thousand Oaks<br />
10<br />
were somewhat standardized in terms of corporate logo<br />
and colors, but the fascia and freestanding signs were of<br />
varying sizes among the four stores.<br />
Cresenta Valley had a liberal sign code which allowed<br />
the chain owner to place a large storefront wall sign over<br />
the main entrance and border wall signs listing products<br />
(housewares, paint, electrical, and plumbing) along the<br />
sides of the building. Alarge, double-pole free-standing<br />
sign that included a variable message board was erected<br />
adjacent to the street.<br />
Valencia’s code was similar, and the owner was able to<br />
place large wall signs over the main entrance and along<br />
the sides. However, in contrast to the Cresenta Valley<br />
location, the visibility of the freestanding sign was<br />
somewhat blocked by a landscape median between the<br />
street and the sign, as well as a parking barrier in front<br />
of the sign, which was also somewhat shorter in height.<br />
Simi Valley had a much more restrictive sign code; consequently,<br />
the site’s storefront signage was considerably<br />
smaller, limited to narrow border wall signage.<br />
Although its freestanding sign was tall and close to the<br />
street, the store was required to share the sign with other<br />
businesses.<br />
The sign code in Thousand Oaks was the most restrictive<br />
of the four. The site’s storefront signage was limited<br />
to a small entrance sign and two small “hanging”<br />
signs at either end of the building. The freestanding<br />
sign was located on a landscaped strip next to the road,<br />
but the size limit of 36 square feet resulted in severe<br />
masking of the sign by surrounding foliage.<br />
Following the remodel, and despite Home Depot’s presence,<br />
the Cresenta Valley store increased its sales by<br />
45% and Valencia by 38%. On the other hand, the Simi<br />
Valley store’s increase was only 20% and the Thousand<br />
Oaks’s increase a mere 10%. Further, the difference in<br />
sales volume between the Thousand Oaks site and the<br />
Cresenta Valley site, which prior to remodel was only<br />
15%, considerably increased. The chain owner had not<br />
increased local media advertising, thus the disparate<br />
increases in sales volume between all the stores could<br />
only be attributed to the availability – or lack thereof –<br />
of on-premise signage easily visible and readable to<br />
street traffic.<br />
In Conclusion<br />
In their efforts to preserve the health, safety and welfare<br />
of the community, municipalities make zoning decisions<br />
regarding the appropriate and allowed uses of land in<br />
various zones. The owners of the property have a right<br />
to use their property consistent with the zoning.<br />
Property owners have a right to use their property consistent with its zoning. The on-premise sign is essential if retail<br />
or commercial property is to function as zoned. Moreover, both the municipality and the community benefit when land<br />
zoned for retail or commercial use is used to its full capacity.<br />
11<br />
Moreover, both the municipality and the community<br />
benefit when land zoned for retail or commercial use is<br />
used to its full capacity.<br />
The ability to communicate visually via signage is the<br />
right of every business owner located in a retail zone.<br />
Without that communication, the land very likely cannot<br />
function as zone, and the business may fail.<br />
Increasingly, experts and the Court are recognizing that<br />
signage is far more valuable than the cost of the structure<br />
itself. For this reason, a detailed approach to the<br />
appraisal of signage has been developed and has repeatedly<br />
been accepted as valid in courts of law.<br />
Municipal employees are sworn to uphold the law and<br />
the Constitution; therefore, they must honor the bundle<br />
of rights associated with the use of private property and<br />
must pay just compensation when that property<br />
is taken for public use. Where signage<br />
is taken, municipal officers are required to<br />
seek a qualified appraiser who can accurately<br />
determine the full and fair value of that<br />
signage.<br />
Endnotes:<br />
1. Berman, Barry and Joel R. Evans (1992), Retail<br />
Management. New York: MacMillan.<br />
2. Lusch, Robert F., Patrick Dunne, and Randall<br />
Gebhardt (1993), Retail Marketing, Cincinnati:<br />
Southwest Publishing.<br />
3. As Charles R. Taylor, Ph.D., Professor of<br />
Marketing at Villanova University pointed out in his<br />
groundbreaking book On-Premise Signs as Storefront<br />
Marketing Devices and Systems (published by The<br />
Signage Foundation for Communication Excellence,<br />
Inc. and co-sponsored by the U.S. Small Business<br />
Administration in 2005), on-premise signage functions<br />
similarly to outdoor advertising in three ways: it<br />
brands the business, it extends memory of the business,<br />
and it prompts impulse sales.<br />
4. Beaver Dam Raceway, Inc. v. Town of Beaver<br />
Dam, 315 N.W.2d 727 (unpublished opinion,<br />
Wis.App. 1981).<br />
5. Most of the material in this Signline has been<br />
excerpted from The Value of Signs, a book published<br />
by The Signage Foundation for Communication<br />
Excellence, Inc. and available for sale at<br />
www.signs.org.<br />
6. “According to common law concepts, ‘property’<br />
includes the right to possess, use, enjoy and dispose<br />
of a thing. Also included in the bundle of rights constituting<br />
‘property’ is the right to exclude other persons<br />
from using the thing in question. Indeed the<br />
Supreme Court of the United States has indicated that,<br />
for eminent domain purposes, the term ‘property’<br />
includes ‘every sort of interest’ an individual may<br />
possess.” United States v. General Motors Corp., 323 U.S. 373, 377-<br />
8, 65 S. Ct. 357, 359-60, 89 L. Ed. 311 (1945). In Re:<br />
Condemnation by Pennsylvania Turnpike Commission for<br />
Pennsylvania, 1989 WL 225404 (Pa. Com. Pl.), 3 Pa. D. &amp; C, 4th<br />
653, p. 2. See also 44 Liquormart, Inc., et al v. Rhode Island et al.<br />
(94-1140), 517 U.S. 484 (1996).<br />
7. A matched pair analysis is one that compares the value of one<br />
property to the value of another that is as similar as possible except<br />
for the single factor for which one is seeking to establish value.<br />
8. The Research on Signage Performance by the University of San<br />
Diego School of Business Administration was sponsored by the<br />
California Electric Sign Association, the International Sign<br />
Association, the Sign User Council of California, and the Business<br />
Identity Council of America. A summary of the findings appeared in<br />
The Economic Value of On-Premise Signage, a compendium of<br />
research results and articles on sign amortization and copyright and<br />
trademark protection. The booklet was published jointly in 1997 by<br />
CESA and ISA.<br />
9. Wade Swormstedt, “Delays and Damages,” Signs of the Times,<br />
March, 1999 at p. 52.<br />
Signage is far more valuable than the cost of the structure itself. Its<br />
value lies in its ability to communicate with prospective customers and<br />
win their business. Often that value increases with the age of the sign.<br />
12<br />
Can we help?<br />
Annual subscriptions to Signline are available from ISA for $3<br />
members and $4.50 non-members (plus shipping and handling).<br />
Other signage resources are also available from ISA.<br />
For more information visit:<br />
www.plannersresource.org<br />
Signline Staff:<br />
R. James Claus, PhD<br />
Susan L. Claus Thomas Claus, Esq.<br />
Anne Marie Melmon Becky Miller<br />
signage.help@signs.org<br />
(866) WHY-SIGN; FAX (703) 836-8353<br />
Several legal issues are discussed throughout ISA’s Signline series. Signline is offered for educational and informational purposes only and<br />
not to be construed as giving legal advice to any user. Competent legal advice/advisors should be sought after and obtained by the user.<br />
Signline is a public service publication of:<br />
INTERNATIONAL SIGN ASSOCIATION<br />
707 N. St. Asaph Street, Alexandria, VA 22314-1911<br />
10. This measurement addresses how many times a typical viewer,<br />
reader, or listener is exposed to the advertiser’s message in a given<br />
period of time.<br />
11. Assume, for example, that you spend $30,000.00 on a sign, and<br />
that its useful life is about ten years. The amortized daily cost of an<br />
illuminated sign would equal about $8.22. Add to this the daily cost<br />
of electricity (approximately $0.20 for a new LED message sign),<br />
thus giving a business a daily expense total of $8.42. With a daily<br />
traffic count of 20,000 vehicles passing the business, it would spend<br />
less than $0.43 per thousand exposures (counting drivers only).<br />
Obviously, as the flexibility to change a message is increased, the<br />
cost per thousand exposures for each particular message can also<br />
increase.<br />
12. The OAAA is an outdoor advertising trade association. Its Web<br />
site is http://www.oaaa.org.<br />
13. Despite the growth in Internet sales, they still account for only a<br />
very small percentage of retail sales. &lt;http://www.enterprisenetworksandservers.<br />
com/ars/art.php?29&gt; June 16, 2006.<br />
14. 97 C.D.O.S. 6341 (1997), Second Appellate District.<br />
15. In response to the city of Agoura Hills’ argument, the trial court<br />
stated: “Just how commercially effective signs may be at other locations<br />
is not directly relevant here … vigorous business and healthy<br />
sales [of third party businesses] … may be generally true [b]ut that<br />
is not the statutory test.”<br />
16. &#8220;Doing business as.&#8221;<br />
17. The trial court determined that the state code’s statutory language<br />
minimally required “a circumstantial analysis of not only the simple<br />
visibility of the sign, but also whether the sign will be noticed<br />
[emphasis in original], and the message imparted to the viewer’s<br />
brain … [T]he additional circumstances bearing on noticeability or<br />
perceptibility would include the origin and nature of the customer<br />
base and buying motivation, general visibility in the area, the highspeed,<br />
high-volume nature of the freeway, location of decision points<br />
for motorists along the freeway, identification time and reaction<br />
time, and time to make safe lane changes.”<br />
18. The trial court found “… as to each of the plaintiffs, there would<br />
be a material impairment of the commercial effectiveness of a conforming<br />
sign … [because] each of the businesses relies on its existing<br />
sign to attract customers … substantially … from the freeway.”<br />
Significantly, none of the trial court’s findings, including those<br />
regarding Plaintiffs’ research, were overruled or otherwise excepted<br />
by the appellate court.<br />
The taking of an on-premise sign through eminent<br />
domain can easily result in lost memory of the<br />
business, lost impulse sales, and lost branding.</p>
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		<pubDate>Mon, 07 May 2012 14:36:58 +0000</pubDate>
		<dc:creator>Admin</dc:creator>
				<category><![CDATA[In The News]]></category>

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		<description><![CDATA[New York, NY (PRWEB) April 30, 2012 Exceptional 3D Glasses-Free 3D Display wins &#8220;Best 3D-Based DS Product&#8221; at DSE 2012 from rAVe [Publications]. It’s very flattering to know that our technology is gaining more recognition as something special, different and distinctly unique. Exceptional 3D today announced that their patented auto-stereoscopic 3D display solutions were awarded...</p><p><strong><a class="more-link" href="http://vernharris.com/exceptional-3d-named-2012-digital-signage-expo-award-winner/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<div>New York, NY (PRWEB) April 30, 2012</div>
<div></div>
<div><img src="http://ww1.prweb.com/prfiles/2011/09/15/9460165/gI_58669_cardealer-v01.jpg" alt="" width="250" height="166" /></div>
<p>Exceptional 3D Glasses-Free 3D Display wins &#8220;Best 3D-Based DS Product&#8221; at DSE 2012 from rAVe [Publications].</p>
<div><img src="http://www.prweb.com/images/release-topquote.gif" alt="Quote start" width="29" height="25" hspace="5" />It’s very flattering to know that our technology is gaining more recognition as something special, different and distinctly unique.<img src="http://www.prweb.com/images/release-bottomquote.gif" alt="Quote end" width="29" height="25" align="absmiddle" hspace="5" /></div>
<p>Exceptional 3D today announced that their patented auto-stereoscopic 3D display solutions were awarded ‘Best In Show’ at Digital Signage Expo 2012. The award was presented by raVe [Publications], a news organization that provides coverage of the commercial (ProAV) and residential (HomeAV) audiovisual trade industries via e-newsletters, blogs, video, social media, and a variety of other mediums. These awards acknowledge all the products and solutions they consider to be the ‘best of the best’ for 2012. Every year after DSE, raVe [Publications] gives out their annual Digital Signage CHAMPS awards. This year’s top honor in the category of “Best 3D-Based Digital Signage Product” has been presented to Exceptional 3D.</p>
<p>“We’re very happy to receive this award from raVe [Publications],” said Eric Angello, CMO for Exceptional 3D. “We know DSE offers a variety of very impressive digital signage technology and there are more 3D solutions surfacing every year,” continued Mr. Angello, “so we really worked hard to ensure that we could be a distinguishable glasses-free 3D digital signage solution at this years Digital Signage Expo.” Mr. Angello finished in saying, “it’s truly an honor to have these efforts acknowledged while being named alongside so many other first-class award recipients. It’s very flattering to know that our technology is gaining more recognition as something special, different and distinctly unique.”</p>
<p>Amongst several no-glasses 3D company’s present at DSE 2012, this award marks the first for Exceptional 3D being named as a ‘Best-In-Breed’ solution for their glasses-free 3D digital signage products. The acknowledgment backs up the company’s efforts since the onset of 2012 where the aim was to set a higher standard for delivering satisfactory no-glasses 3D products and solutions with one of the largest glasses-free 3D product lines. Exceptional 3D’s 2012 focus has been primarily on harnessing the ultimate ‘picture perfect’ experience and this award is a clear indicator of that effort. The award strengthens Exceptional 3D’s foothold as a premium choice for cost-effective glasses-free 3D digital signage solutions, which any customer or network operator can rely on with a great deal of confidence.</p>
<p>###</p>
<p>ABOUT EXCEPTIONAL 3D<br />
Headquartered in New York, Exceptional 3D (<a href="http://www.exceptional3d.com">http://www.exceptional3d.com</a>) designs, produces and delivers a patented, leading-edge 3D auto-stereoscopic (no glasses needed) visual display technology. The company specializes in providing high quality auto-stereoscopic 3D displays, software and 3D content to resellers, system integrators, trendsetters and network operators for widespread adaptation at cost effective prices. Exceptional 3D hardware and software solutions are a ‘future-proof’ technology that enables flat-panel displays to show high-definition 3D content without the need for any eyewear or 3D glasses, while still being capable of supporting playback of standard 2D content. The company is ‘keeping it simple’ through first-in-class customer service and continual focus on delivering the best 3D experience for industries such as automotive, casino gaming, retail, cinemas, hospitality and a wide variety of additional vertical markets. More information about Exceptional 3D is available by visiting <a href="http://www.exceptional3d.com">http://www.exceptional3d.com</a> or following @exceptional3d on Twitter.</p>
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		<title>New ADA Signage Standards Take Effect</title>
		<link>http://vernharris.com/new-ada-signage-standards-take-effect/</link>
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		<pubDate>Thu, 26 Apr 2012 13:54:22 +0000</pubDate>
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				<category><![CDATA[In The News]]></category>

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		<description><![CDATA[By Liz Humrickhouse New rule changes to the Americans with Disabilities Act will improve services to blind or visually impaired patrons &#160; On March 15, 2012, updates to the Americans with Disabilities Act of 1990 (ADA) went into effect. The new standards—known as the 2010 ADA Standards for Accessible Design—focus specifically on creating wayfinding signage...</p><p><strong><a class="more-link" href="http://vernharris.com/new-ada-signage-standards-take-effect/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p>By Liz Humrickhouse</p>
<p><strong>New rule changes to the Americans with Disabilities Act will improve services to blind or visually impaired patrons</strong></p>
<p>&nbsp;</p>
<p>On March 15, 2012, updates to the Americans with Disabilities Act of 1990 (ADA) went into effect. The new standards—known as the <a href="http://www.ada.gov/2010ADAstandards_index.htm">2010 ADA Standards for Accessible Design</a>—focus specifically on creating wayfinding signage for the visually impaired.</p>
<p>The good news is that libraries are already doing well in compliance from a technology standpoint, providing visually impaired patrons with text-manipulation software and closed-circuit televisions to enlarge print. The better news is that these new standards offer more guidance in making traditional wayfinding signage more patron-friendly.</p>
<p>There are an estimated 21.5 million American adults who reported they are either blind or have difficulty seeing, even with glasses or contact lenses, <a href="http://www.afb.org/section.aspx?SectionID=15">according to</a> the American Foundation for the Blind, which cites a 2010 National Health Interview Survey Preliminary Report.</p>
<p>Fatima Kukaswadia is one of those who will benefit from the standards. A senior business and economics major at North Park University in Chicago, Kukaswadia is legally blind. Signs that normally help patrons navigate through the stacks are not as simple for Kukaswadia, who has a rare genetic disease known as achromatopsia. The vision disorder prevents her from driving, seeing in color, and reading the whiteboard in her classes.</p>
<p>Kukaswadia told <em>American Libraries</em> that reading signs with glare is difficult. “I also have difficulty tolerating bright light and am forced to close my eyes when there is too much of it,” she said.</p>
<p>The new ADA standards will help Kukaswadia, because they require a non-glare finish on all signage and recommend a 70% contrast between the sign background and lettering. To meet the 70% guideline, the ADA provides a formula that uses <span style="text-decoration: underline;"><a href="http://www.access-board.gov/adaag/html/adaag.htm">light reflectance values</a></span> to determine contrast. The formula was published in the 2002 amendment to the 1991 standards (Appendix, 4.30.5).</p>
<p>“My eyes can easily pick up objects that are in high contrast,” Kukaswadia said. “I can usually read a sign with lettering that is highly contrasted to its background.” For example, she explained, red or black text against a white background is easily viewable, but red on a black background is not. (As a general rule, think “dark on light” or “light on dark.”)</p>
<h2>Visual and Tactile</h2>
<p>The new ADA standards include several differences from the 1990 rules, which became enforceable in 1992. Perhaps the most noticeable change is the recognition that signage created for the visually impaired needs to accommodate those who read by sight, those who read Braille, and those who read raised characters—particularly because only an estimated 10% of all people who are blind read Braille.</p>
<p>“The raised characters are very important to people who have become blind later in life, who have lost finger sensitivity, or who just never learned,” Sharon Toji told <em>American Libraries.</em> Toji is owner of Access Communications, an ADA consulting firm, and a voting member of the American National Standards Institute (ANSI), the organization that set the new ADA standards.</p>
<p>Characters used in signs produced under the 1990 rules “had to do double duty for visual and tactile readers and were an unfortunate compromise,” Toji said. Tactile letters had no requirements for stroke or character width, and they were often much too bold and sometimes highly condensed. “They really were not very readable by touch and were almost invisible to many visual readers who are blind,” Toji said.</p>
<p>New signage must now include large, bolded characters in both upper- and lowercase (for those who read visually) and thin, beveled, and widely spaced lettering (for tactile readers). Additionally, legally blind visual readers benefit greatly from no-glare, high-contrast signage.</p>
<p>And if a location normally requires visual and tactile characters, that area must now have either two separate signs or one sign with both visual and tactile characters—with each meeting its own set of standards. Before this change, it was acceptable to have signs with a combination of visual and tactile elements without either meeting any usable standard.</p>
<p>Going forward, Toji said she would like to see better rules on glare and contrast in the next set of standards. (ANSI will have committee meetings to set the next ADA-accessible design standards beginning in August 2012.) She also wants to add new requirements for video phones and wants to have induction-loop equipment hardwired in library buildings. The equipment would transmit sound free of distracting background noise to patrons who wear a hearing device.</p>
<p>Meanwhile, Kukaswadia said she is “excited about these new changes. The library already does a great job providing me with the technology I need, but having signs I’ll be able to spot right away will make it that much easier to find what I’m looking for.”</p>
<p>LIZ HUMRICKHOUSE <em>is a Dominican University GSLIS graduate and a Reference and Instruction Librarian at North Park University in Chicago</em>.</p>
<p>&nbsp;</p>
<p><strong>SIDEBAR:</strong></p>
<h4><strong>Accessibility tips</strong></h4>
<p>Libraries remodeled or newly designed after March 15, 2012, must comply with the updated rules. For all other libraries, there are steps that can make existing signage more patron-friendly. (The tips below, and others, can be found on the ASCLA <a href="http://www.ala.org/ascla/">website.</a>)</p>
<ul>
<li>Employ nonpermanent signs with low-glare and a high contrast for legally blind visual readers</li>
<li>Train library staff to assist visually impaired readers when necessary. This includes:
<ul>
<li>Offering to guide patrons to their intended destinations</li>
<li>Offering a variety of resources including print, electronic, Braille, audiobooks, music, and text-enlargement software</li>
</ul>
</li>
<li>Ensure all signage is placed in well-lit but not overly bright areas</li>
<li>Enlarge the font on call number signs located at the end of each bookshelf</li>
</ul>
<p>For more information about how to make your library more accessible, see the <a href="http://www.ala.org/ascla/asclaprotools/accessibilitytipsheets">ASCLA tip sheets.</a> You may also want to attend the 90-minute “<a href="http://www.alastore.ala.org/detail.aspx?ID=3801">Serving Blind and Visually Impaired Patrons at the Library</a>” workshop June 13, sponsored by ALA Editions.</p>
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		<title>Digital signage lights up downtown Phoenix (Video)</title>
		<link>http://vernharris.com/digital-signage-lights-up-downtown-phoenix-video/</link>
		<comments>http://vernharris.com/digital-signage-lights-up-downtown-phoenix-video/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 13:38:37 +0000</pubDate>
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				<category><![CDATA[In The News]]></category>
		<category><![CDATA[Digital Signage]]></category>

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		<description><![CDATA[The City of Phoenix faced a dilemma not unusual for large metro areas with significant suburban populations — how do you get people back downtown to revitalize the city center? For Phoenix, digital signage held part of the answer. Inspired by other cities that have created entertainment districts, such as L.A. Live in Los Angeles,...</p><p><strong><a class="more-link" href="http://vernharris.com/digital-signage-lights-up-downtown-phoenix-video/">Read the rest of this entry</a></strong></p>]]></description>
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<div><img src="http://global.networldalliance.com/new/images/article/covers/dbacks150.jpg" alt="Digital signage lights up dowtown Phoenix (Video)" align="left" /></div>
<p>The City of Phoenix faced a dilemma not unusual for large metro areas with significant suburban populations — how do you get people back downtown to revitalize the city center?</p>
<p>For Phoenix, digital signage held part of the answer.</p>
<p>Inspired by other cities that have created entertainment districts, such as L.A. Live in Los Angeles, Phoenix partnered with two of its major sports franchises to create the Legends Entertainment District in the city&#8217;s downtown area, charged with changing the perception of the city&#8217;s center.</p>
<p>Major League Baseball&#8217;s Arizona Diamondbacks and the National Basketball Association&#8217;s Phoenix Suns have collaborated with the city over the last year and change to transform the Jefferson Street corridor in downtown Phoenix into something more bright and vibrant than before.</p>
<p>Combining approximately 7,000 square feet of full-motion LED digital signage with about 55,000 square feet of new static signage, the Legends Entertainment District has created quite a splash in the downtown area, said the district&#8217;s general manager, Judd Norris, and digital signage has played a major role.</p>
<p>&#8220;The digital format allows the creative resources and content resources that we have in house between the two teams to really design some visually appealing things, that quite — frankly what we&#8217;re really trying to do is to get poeple to have a reason to come down to the games or events earlier and stay later and if you create a vibrant energized area its going to make them want to do that,&#8221; he said.</p>
<p>With the Diamondbacks&#8217; Chase Field, the Suns&#8217; US Airways Center and the Phoenix Convention Center all set along the Jefferson Street, the number of events at all of the venues together provides plenty of compelling content for the LED signs, Norris said.</p>
<p>The convention center boasts a mid-size LED display standing just above street level, facing the two sports stadia across Jefferson Street. On the street side of Chase Field hangs a 35-foot-by-73-foot LED board, dubbed the &#8220;Big Board,&#8221; that shows district content and advertising.</p>
<p>There are also three 50-foot towers outside Chase Field and the US Airways Center, each featuring three 13-foot-by-22-foot LED boards, in addition to top and bottom LED halo rings. The towers display 30-second content segments from each facility&#8217;s respective team, the Legends Entertainment District and content partners, and the bottom halos also feature scrolling tickers.</p>
<p>And there are two massive, 4-foot by 125-foot LED tickers on the Jefferson Street parking garage set between the US Airways Center and Chase Field.</p>
<p><a href="http://www.azcentral.com/community/phoenix/articles/2012/01/24/20120124phoenix-entertainment-district-marquees-billboards-energize.html" target="_blank">According to The Arizona Republic newspaper</a>, the district&#8217;s first phase was an $8.6-million, first-year investment, with the city providing $2 million for the initial investment and the rest coming from the Suns, Diamondbacks and investors.</p>
<p>&#8220;We could not be more pleased with the look and the results,&#8221; Diamondbacks CEO Derrick Hall told the paper. &#8220;There&#8217;s definitely a continuous flow of energy.&#8221;</p>
<p>All of the signage is centrally managed from a control center in Chase Field, running <a href="http://www.digitalsignagetoday.com/showcase/416/X2O-Media">X2O Media</a> software to power content on <a href="http://www.digitalsignagetoday.com/showcase/437/Panasonic-PCS">Panasonic</a> LED displays installed by YESCO, Norris said.</p>
<p>The choice to go digital was an easy one, Norris said, especially once the city gave permission to use full-motion, full-color digital displays, essentially digital billboards, in the district, as opposed to the run-of-the-mill static images that change every 8 seconds mandated on many digital billboards.</p>
<p>&#8220;It was the immediate choice for us to choose large-format full digital because we could visually let the consumer, whether it be a pedestrian or someone who&#8217;s in a vehicle or someone who&#8217;s visiting us from out of town, see visually what happens in these multiple blocks,&#8221; Norris said. &#8220;You see downtown, you see light, you see vibrancy, you see energy; it makes it be a place to want to go, and it&#8217;s all done by technology. It&#8217;s a perception changer.&#8221;</p>
<p>Watch a time-lapse video of the district below:</p>
<p><a href="http://www.youtube.com/watch?v=Yp7nJeXh7Oc">http://www.youtube.com/watch?v=Yp7nJeXh7Oc</a></p>
<p><em><br />
</em></p>
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		<title>What&#8217;s The Easiest Dental Marketing Tool To Get New Patients? The Wealthy Dentist Has Answers</title>
		<link>http://vernharris.com/whats-the-easiest-dental-marketing-tool-to-get-new-patients-the-wealthy-dentist-has-answers/</link>
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		<pubDate>Tue, 24 Apr 2012 04:10:53 +0000</pubDate>
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				<category><![CDATA[In The News]]></category>

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		<description><![CDATA[(PRWEB) April 23, 2012 According to The Wealthy Dentist, dental marketing with good signage is the easiest way to add new patients to a dental practice. The new “The $1,000,000 Dental Sign” program shows doctors all of the factors that go into good signs – locations, traffic flow, most effective types of signs, building location and...</p><p><strong><a class="more-link" href="http://vernharris.com/whats-the-easiest-dental-marketing-tool-to-get-new-patients-the-wealthy-dentist-has-answers/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p>(PRWEB) April 23, 2012</p>
<p><strong>According to The Wealthy Dentist, <a title="dental marketing" href="http://thewealthydentist.com/dental-marketing.htm">dental marketing</a> with good signage is the easiest way to add new patients to a dental practice.</strong> The new “The $1,000,000 Dental Sign” program shows doctors all of the factors that go into good signs – locations, traffic flow, most effective types of signs, building location and orientation to the street, zoning codes and much more.</p>
<p>The two-part video tutorial was designed by dental marketing expert <a href="http://www.timesunion.com/?controllerName=search&amp;action=search&amp;channel=business%2Fpress-releases&amp;search=1&amp;inlineLink=1&amp;query=%22Jim+Du+Molin%22">Jim Du Molin</a>, who has more than 25 years of dental management experience. He and his wife <a href="http://www.timesunion.com/?controllerName=search&amp;action=search&amp;channel=business%2Fpress-releases&amp;search=1&amp;inlineLink=1&amp;query=%22Suzanne+Du+Molin%22">Suzanne Du Molin</a>, a C.P.A., M.P.A. and Certified Financial Planner have advised hundred of dentists, and have spoken on the topic of dental practice marketing at dozens of North American dental associations and universities during the past three decades.</p>
<p>“The economics of good dental signage are too important to just wing it,” says Jim Du Molin, Editor-in-Chief of The Wealthy Dentist and founder of <a title="dental marketing" href="http://internetdentalalliance.com/">dental marketing</a> resource Internet <a href="http://www.timesunion.com/?controllerName=search&amp;action=search&amp;channel=business%2Fpress-releases&amp;search=1&amp;inlineLink=1&amp;query=%22Dental+Alliance%22">Dental Alliance</a>. “A well-designed set of signs &#8212; you’ll notice the plural, meaning more than one &#8212; can easily put $1,000,000 extra into your pension fund for retirement.”</p>
<p>The program offers dentists valuable advice on a topic that seems simple on the surface, yet can have a major impact on profits over the life of the dental practice. It covers topics such as how to negotiate with local signage companies, what to consider when contracting for a new facility, how to draw &#8220;walk in&#8221; traffic, how to use office windows to promote the practice and how to how to update “tired” signs for minimum cost.</p>
<p>Bonus items include full-color examples of good and bad dental signs, access to the &#8220;Sign <a href="http://www.timesunion.com/?controllerName=search&amp;action=search&amp;channel=business%2Fpress-releases&amp;search=1&amp;inlineLink=1&amp;query=%22Design+Gallery%22">Design Gallery</a>&#8221; showing the latest pictures of signs submitted by other doctors who have used the program. There are several downloads, including an MP3 audio to play while driving,, a printout of the slide show, and a transcript of the video that can be printed out and used as a reference.</p>
<p>&#8220;The right signage can make all the difference,&#8221; added Du Molin. &#8220;To tell the truth, many dentists underestimate the importance of their practices&#8217; signage – probably something like their patients underestimate the importance of flossing and brushing.&#8221;</p>
<p>About TheWealthyDentist.com</p>
<h6>Jim Du Molin &#8212; Editor in Chief of TheWealthyDentist.com &#8212; has been giving hype-free dental marketing and practice management advice since 1985. He helps dentists attract more new patients and manage their practices more effectively. With the power of the Internet, The Wealthy Dentist can deliver this <a title="dental marketing" href="http://internetdentalalliance.com/">dental marketing</a> training directly to you at home or in your office, at a fraction of the normal cost.</h6>
<p>&nbsp;</p>
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		<title>Modesto weighs historic signage, walking tour</title>
		<link>http://vernharris.com/modesto-weighs-historic-signage-walking-tour/</link>
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		<pubDate>Tue, 24 Apr 2012 04:05:07 +0000</pubDate>
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		<description><![CDATA[MODESTO &#8212; On Tuesday, the Modesto City Council could approve the installation of 25 markers for the Historic Graffiti Cruise Route and downtown walking tour. The markers would tell tourists about the history of cruising in Modesto, which was depicted in the George Lucas film &#8220;American Graffiti.&#8221; Business owner Chris Murphy leads a committee that...</p><p><strong><a class="more-link" href="http://vernharris.com/modesto-weighs-historic-signage-walking-tour/">Read the rest of this entry</a></strong></p>]]></description>
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<p>MODESTO &#8212; On Tuesday, the Modesto City Council could approve the installation of 25 markers for the Historic Graffiti Cruise Route and downtown walking tour.</p>
<p>The markers would tell tourists about the history of cruising in Modesto, which was depicted in the George Lucas film &#8220;American Graffiti.&#8221; Business owner Chris Murphy leads a committee that raised the money for the signs. If the item is approved, city workers would install the signs in June for $3,000.</p>
<p>Murphy said the walking tour would allow people with smart phones to look at video interviews and photos. Lucas, a Modesto native, provided a video introduction for the tour.</p>
</div>
<div id="story_assets"></div>
<div id="story_text_remaining">
<p>Murphy said he is eager to find pictures of people cruising 10th and 11th streets from 1955 to 1965, or earlier. He also needs a photo of Harley&#8217;s Records, a Modesto business during the early rock &#8216;n&#8217; roll days. Anyone with picturescan call Murphy at (209) 534-1704.</p>
</div>
<div>
Read more here: http://www.modbee.com/2012/04/22/2169501/modesto-weighs-cruising-signage.html#storylink=cpy</div>
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		<title>Follow a digital signage screen from creation to deployment</title>
		<link>http://vernharris.com/follow-a-digital-signage-screen-from-creation-to-deployment/</link>
		<comments>http://vernharris.com/follow-a-digital-signage-screen-from-creation-to-deployment/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 23:44:01 +0000</pubDate>
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		<description><![CDATA[A distributor, in its simplest form, is a middleman organization. However, these organizations do much more than just pick, pack and ship digital signage products. &#8220;A full-service distributor&#8217;s main functions are to fulfill availability at any time, offer a credit line and technical service and support,&#8221; said Mike Zmuda, Director of Business Development for Itasca,...</p><p><strong><a class="more-link" href="http://vernharris.com/follow-a-digital-signage-screen-from-creation-to-deployment/">Read the rest of this entry</a></strong></p>]]></description>
			<content:encoded><![CDATA[<p>A distributor, in its simplest form, is a middleman organization.</p>
<p>However, these organizations do much more than just pick, pack and ship digital signage products.</p>
<p>&#8220;A full-service distributor&#8217;s main functions are to fulfill availability at any time, offer a credit line and technical service and support,&#8221; said Mike Zmuda, Director of Business Development for Itasca, Ill.-based <a href="http://www.digitalsignagetoday.com/showcase/391/NEC-Display-Solutions">NEC Display Solutions of America Inc.</a> &#8220;A lot of key distributors are seriously looking at digital signage and gearing up for it. It&#8217;s good to see all of them getting excited about the industry, because it&#8217;s one of our key targets. We look at distributors to have products available for the reseller community. That means making sure the mainstream products are always in stock. Second, we want to make sure they can provide the proper credit line to help resellers and integrators finance digital signage solutions.&#8221;</p>
<p>At the beginning of the distribution chain are the manufacturers, known as vendors to the distribution channel. These are companies and OEMs such as <a href="http://www.digitalsignagetoday.com/showcase/369/LG-Electronics-USA-Inc">LG</a>, <a href="http://www.digitalsignagetoday.com/showcase/389/Samsung-Electronics-America">Samsung</a> and NEC.</p>
<p>The biggest problem that vendors have, industry experts say, is that they are selling displays or mounts or software products, and it might not be easy for them to have access to all of the components required to provide a full solution. With a distributor, such as global technology distributor <a href="http://www.digitalsignagetoday.com/showcase/390/Ingram-Micro-Inc-Digital-Signage-Division">Ingram Micro Inc.</a>, they have not only the displays, but all of the complementary products required for a full solution. Distribution takes the responsibility from the vendor to piece together total solutions for resellers or end users.</p>
<p>Distributors keep all of their products in warehouses, usually spread out across the geographic service area, so shipments can be fast and all come from one place.</p>
<p><strong>A fair picture</strong><br />
Keven Yue, senior business development manager for Ingram Micro, doesn&#8217;t think the marketplace has a fair picture of the digital signage distribution channel.</p>
<p>&#8220;The services side is more than pure product procurement,&#8221; Yue said. &#8220;So they could be offering credit and sales expertise for what products work in a specific solution. Services also include providing managed services and access to vertical markets. When an end user engages a reseller, he usually sees the IT guys that do networking and storage. But behind each reseller are one or two or three partnerships that they leverage that really sell this arsenal.</p>
<p>&#8220;In a sense, it gives them access to the full solution, which they can then pass on to the customer.&#8221;</p>
<p><strong>The distribution process</strong><br />
The distribution chain for digital signage is very similar to that of other IT products. A vendor sells its product through a distributor, who sells those products to its reseller base. The resellers then sell the complete solutions to their end users, which could be restaurant chains, airports, schools or other types of businesses.</p>
<p>Digital signage distributors can help make the deployment process seamless between vendors, resellers and end users. Samsung Electronics America Inc.&#8217;s Richard Hutton, senior channel marketing manager for the Ridgefield Park, N.J.-based company, explains the digital signage distribution channel from the eyes of a major screen vendor:</p>
<p>First, professional large-format displays come from South Korea or Mexico. The machines are stored in a warehouse before being sent to the distributor.</p>
<p>&#8220;One of the key things in this space is working with our distribution partners on forecasting,&#8221; he said. &#8220;So, if you get a piece of 72-inch, die-cut glass, we want to make sure we sell that through. Nobody wants it sitting in the manufacturer&#8217;s or distributor&#8217;s warehouse for a long amount of time.&#8221;</p>
<p>Because material can be stored at the distributor&#8217;s warehouse, Samsung does not have to have warehouses across the country. Instead, the company relies on partnerships to ensure distribution of material across the United States.</p>
<p>&#8220;Sales and purchasing work very hard to make sure we don&#8217;t have too much inventory in Illinois when we need it in Los Angeles,&#8221; Hutton said. &#8220;On occasion, if a deal is large enough, we may ship it directly from the factory to the reseller site or end-user site. The ability to do that is all through the distributor and reseller. For deployments that require preconfigured aspects, like outdoor deployments, the distributors can often configure those things at their sites. Larger rollouts are usually done onsite to cut out the logistics piece. But the distributor manages that process.&#8221;</p>
<p><strong>From the distributor to the resellers</strong><br />
In the next step of the channel process, a distributor markets products to its reseller base on behalf of the vendor. The company also does a fair amount of marketing for itself on its value-added benefits. These could be financing, logistics, customer service and installation, to name a few.</p>
<p>Working under a distributor like Ingram Micro is a network of thousands of resellers, who are the ones who actually market and provide digital signage solutions to end users. These groups are responsible for designing and planning solutions that best fit the needs of the end user.</p>
<p>Resellers then go back to the distributor with the solution requirements.</p>
<p>&#8220;The goal is for the distribution channel to be seamless for the reseller and end user,&#8221; said Robert Nishida, president of Woodland Hills, Calif.-based HDDS Design, a value-added reseller for Ingram Micro. &#8220;End users call a reseller and they have a number of items to be ordered and maybe even a preconfigured idea of what they want, and then it ends up on their doorstep and everything&#8217;s done.&#8221;</p>
<p>Resellers have consulting responsibilities on both ends of the equation. First, they listen to end-user requirements and walk end users through possible solutions. Then, they consult their distributors to see if the solution is a reality and how they can work together to provide it.</p>
<p>&#8220;End users call me and then we get into a pretty detailed discussion on what we&#8217;re trying to accomplish,&#8221; Nishida said. &#8220;A lot of times the clients want to do something, but it&#8217;s not practical, or it doesn&#8217;t make sense. They don&#8217;t realize the cost of technology. A lot of people are under the impression that they can buy a home HDTV and put it in their retail environment and play it for 12 to 18 hours a day and it&#8217;s good to go. But they don&#8217;t realize that they may want these displays in a portrait orientation, or have content over three displays, and that there is technology behind altering the content for that. It&#8217;s not as simple as hanging displays and going with it.&#8221;</p>
<p>And the process doesn&#8217;t end with product procurement. Nishida and HDDS usually develop a pilot or prototype version of the solution. If all is well after the results come in, the total solution is rolled out to all end-user locations.</p>
<p>&#8220;We like to run through a prototype phase where we send out products to end users and test what they want to do, make sure the content looks how they want it to and make sure they can run the content from their home offices,&#8221; Nishida said. &#8220;Then comes the actual distribution of the displays to their locations. Or we can do a project management piece where we schedule the install and send someone to the site, or they can go to one of my service partners, who can deliver, hang the displays, test, train them and then they&#8217;re out of there.&#8221;</p>
<p><em>(Excerpted and adapted from the recently re-published DigitalSignageToday.com guide, &#8220;Digital Signage Distribution.&#8221; To read more, <a href="http://www.digitalsignagetoday.com/whitepapers/137/Digital-Signage-Distribution">download the free publication</a>.)</em></p>
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		<title>What Is My Business Worth</title>
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		<pubDate>Tue, 17 Apr 2012 08:38:59 +0000</pubDate>
		<dc:creator>Rosalind Estes</dc:creator>
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		<description><![CDATA[People normally wish to know what is my business worth so they can know the achievements they have made. Accurate estimation can be such a hard task but if you do it based on the going market price then you would close enough value. Medium and small businesses can be easy to assess but definitely not big ones.]]></description>
			<content:encoded><![CDATA[<p>People normally wish to know what is my business worth so they can know the achievements they have made. Accurate estimation can be such a hard task but if you do it based on the going market price then you would close enough value. Medium and small businesses can be easy to assess but definitely not big ones.</p>
<p>Usually, there are various factors which need to be put into consideration before solving the puzzle. The first inclusion is the value of the premises that it is located in. Premises are very vital for survival of any firm and they therefore contribute a very huge percentage when assessing.</p>
<p>Free cash flow that ends up in the hands of the owner must be calculated as well. Depending on how adverts, sales and location all work out the profits can be much or less. The sum is usually a secret that many owners prefer to know only by themselves but it should be counted.</p>
<p>Whatever has been stocked must also be summed up before coming up with the final result. Stock is usually the main investment for the owner because money comes in with each sale. You can also consider the labor force available especially for those in the service industry.</p>
<p>Should the firm be having inventories then they should also be included. Inventories are usually an opportunity for the firm to expand in the future. Multiplying factors are also needed so they can be used to calculate the depreciated or appreciated value since it was started.</p>
<p>All outstanding payments from the people indebted to the firm must be included. From the last additional value you must deduct all debts that are owed to suppliers and creditors as well. All this aspects solve the mystery of <a href="http://sellmycompany.org/sell-my-company/what-am-i-worth/">what is my business worth</a>. Big firms should consider hiring auditors.</p>
<p>Stop by our site to find out more <a href="http://sellmycompany.org/sell-my-company/what-am-i-worth/">what is my business worth</a></p>
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